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DANCE & MUSIC

Classical Dance and Music

Indian Classical Dance "..abstraction of Upanishadic thought which is assiduously translated in to well designed concrete language of artistic media."

It all started with Natya Shastra

Said to be written 2000 years ago by Bharata Muni, it is the seminal source book for dancers and performers. The mammoth book covers all technical and aesthetic aspects of the art of the Indian Theatre and Dance.

From the purpose of natya, to the architectural format, stage rituals, Rasa, Bhava, Abhinaya, gestic communication, music, types of instruments. 37 chapters that together form the nucleus of this fascinating performing art. Later century works like Abhinaya Darpana, Abhinaya Chandrike, also have great relevance to the dancer today.

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Legend has it that the Devas (Gods) had vanquished the Asuras (Evil) and were relating the happenings to Brahma, the God of Creation. The Asuras thought this was a renewed attack and retaliated. Brahma intervened - "This is only a performance, hence forth it will only be held on earth".

And Brahma passed on all the information on Dance and Drama to Bharata Muni who compiled it as the Natya Shastra.

Sculpture Comes To Life

dance

Temples were raised to the house the Gods and became the focal point for the community. They also became centres of learning and contributed to the advancement of such arts as sculpture, painting, music and dance. Mostly built by Kings, who were also the patrons of arts, encouraging a continuity and enriching rituals of worship, the earliest basis of the classical performing arts.

It was from the temple that the Devdasi cult (Temple Dancers who performed for the Lord) began. Once a practice countrywide - the Kulvantalu in Andhra Pradesh, the Maibi in Manipur, the Devdasi in Tamil Nadu and the Mahari in Orissa, all trace their roots to the temple. The countless sculptures of dance poses in the temples, hint at the potency of dance as a path to spiritual exaltation and lays out a complete lexicon of dance techniques.

For instance, it is said that the greater part of vocabulary of Odissi dance is preserved in stone.

A rich heritage to be brought alive by the artist.

Indian Folk and Tribal Dances

Indian folk and tribal dances are simple , and performed to express joy. Folk dances are performed for every possible occasion, to celebrate the arrival of seasons, birth of a child, a wedding and festivals. The dances are extremely simple with minimum of steps or movements. The dances burst with verve and vitality. Men and women perform some dances exclusively, while in some performances men and women dance together. On most occasions, the dancers sing themselves, while being accompanied by artists on the instruments. Each form of dance has a specific costume. Most costumes are flamboyant with extensive jewels.

The northeast part of the country is the home for over 60 tribes. Each tribe has its own range of tribal dances. The exciting dances of the Nagas and the Bihus of Assam, are performed to celebrate spring and harvesting.

The chief folk dance of Gujarat, the Dandiya, is performed using sticks. Each performer holds two sticks, which they strike alternately to the right and left while the group dances. They also move diagonally, clockwise, anti-clockwise, as they strike the sticks.

The Bhangra dance of Punjab is performed by men, to the rhythm of the drum. The dance includes a wide range of leaps and jumps. Dancers stand on each other's shoulder while dancing to the music

There are hundreds of Indian folk and tribal dances. Each region of India has its own folk dance. Both men and women perform the bamboo dance of Mizoram. While the men hold the bamboo, the women folk dance between the bamboo. In this performance, the sound of the bamboo hitting each other is the rhythm. Though dangerous if a rhythm is missed, these experienced dancers perform with grace and with care.

In the south, the dummy horse dance or the Poikalkuthirai, is very famous. Dancers fit dummy legs to their legs and dance to the tune of the music. Both men and women perform this form of art. In Tamil Nadu, dancers place a karagam or a decorated jug, on their head and dance while balancing the karagam.

While there are numerous folk and tribal dances, they are constantly improved. The skill and the imagination of the dances influence the performance

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